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活动通知【识与悟】中央财经大学系列室内音乐会-单簧管三重奏音乐会

理悦CEMA 2019-04-26 13:51:49



中央财经大学系列室内音乐会——单簧管三重奏

Chamber Music Concert Series - Clarinet Trio

时间:2018年3月13日(星期二)晚7:00

地点:中央财经大学学院南路校区学术会堂712

Date :  Tuesday Mar 13, 2018 7:00 pm.

Venue : Academic Hall 712, Xueyuan South Road Campus, CUFE


主办单位:中央财经大学校园文化建设组委会

承办单位:中国经济与管理研究院

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节目单


马克斯·克里斯蒂安·腓特烈·布鲁赫(1838-1920)

八幅画面  单簧管、中提琴与琴,作品83号(1910)


1.行板

2.活跃的快板
3.行板-快板
4.激动的快板
5.罗马尼亚旋律-行板
6.歌唱地-行板
7.适中的、欢快活泼的
8.温和地



罗伯特·舒曼 (1810–1856)

幻想曲  单簧管与钢琴,作品73号(1849)


1.温和地、表达地

2.活泼地、容易地

3.快速地、火热地



沃尔夫冈·阿马狄乌斯·莫扎特 (1756–1791)

滚木球三重奏  E三重奏;琴、单簧管和中提琴, KV 498, (1786)


1. 行板

2. 小步舞曲

3. 回旋曲,小快板



Program


Max Bruch (1838 –1920)

Acht Stückefür Klarinette, Viola und Klavier, op. 83 (1910)

 

1. Andante
2. Allegro con moto
3. Andante con moto – Andante
4. Allegro agitato
5. Rumänische Melodie. Andante
6. Nachtgesang. Andante con moto
7. Allegro vivace, ma non troppo
8. Moderato

 

 

Robert Schumann (1810 –1856)

Fantasiestücke für Klarinette undKlavier, op. 73 (1849)

 

1. Zart und mit Ausdruck

2. Lebhaft leicht

3. Rasch und mit Feuer

 

 

Wolfgang Amadeus Mozart (1756 –1791)

Trio Es-Dur für Klavier, Klarinetteund Viola, KV 498, “Kegelstatt-Trio” (1786)

 

1. Andante

2. Menuetto

3. Rondo. Allegretto




曲目介绍

在这场音乐会中,我们将以60年为一个跨度来认识一种少有的合奏形式:结合了单簧管、中提琴和钢琴的单簧管三重奏。这场音乐会使用了木管乐器、弦乐器、和声乐器,并且将它们全部的演奏可能性结合在了一起。

马克斯·克里斯蒂安·腓特烈·布鲁赫(1838–1920) 为他的儿子创作了八幅“画面”。他的儿子小布鲁赫是一位著名的钢琴家,想要在老布鲁赫70岁生日时演奏这位父亲的一首作品。老布鲁赫将短时间的碎片以保守的方式创作了出来。不像浪漫主义派代表人瓦格纳与李斯特创作的《音乐的未来》 (音乐剧、编排音乐),他以传统的方式创作了这部作品:不使用程序化的任何设定,使用不同音域的乐器展现出的不同色彩,将充满戏剧效果的旋律缩影描绘出来。

罗伯特·舒曼 (1810–1856) 创作了《儿时情景》。他和19世纪中叶的许多作曲家一样,是老布鲁赫的偶像之一。有趣的是,我们可以用钢琴的各种可能性来演奏相同体裁的《幻想曲》,从而窥见舒曼的风格和创作习惯。这部作品利用了主题循环的创作模式,但是没有任何具体的程序编排,可以给听众带来无限遐想。六十年之前,和声的重要程度没有给这部作品带来累赘。相反,这部作品旋律结构清晰,同时具有一个有节奏的、有趣的、编织的伴奏。

在单簧管三重奏这一体裁作品的萌芽期,我们可以看到首位为此种组合作曲的作曲家——沃尔夫冈·阿马狄乌斯·莫扎特(1756-1791)活跃的身影。在曲目首演中,他作为中提琴演奏者和他的两位朋友共同完成了演奏。在那场演奏中,他对中提琴表达域的驾驭是令人咋舌的。这部三重奏以一段行板开场,钢琴首先和中提琴一起揭示主题,然后单簧管接过旋律,随后展开第二个主题,中提琴在再现部中重新出现。第二乐章是一段中提琴旋律贯穿始终的小步舞曲。最终的回旋曲以单簧管演奏的主题旋律开场,这一乐章包含了一段中提琴向C小调的偏移并为莫扎特音乐生涯的创作巅峰提供了使他在音乐精妙细节的把握和哀凄之美的表达上更进一步的机会。这些特质使得这部三重奏成为一部在形式和表达上杰出的作品,同时以一个放恣的笑容和乐观的态度为这场音乐会画上了一个完满的句号并拥抱即将到来的春天。

“瑞辛伯格三重奏”将在他们接下来的音乐会中演奏19世纪的其它两部作品——Märchenerzählngen Fantasiestücke来进行对比和补充。“瑞辛伯格三重奏”期待与你们相逢在一个清凉的春夜,共同做一个美丽的梦!


曲目资料:

1.  《八幅画面》Video: https://www.youtube.com/watch?v=moNDX_HPvLE

2.  《幻想曲》Video: https://www.youtube.com/watch?v=0d1eVNRmgNM

3.      《滚木球三重奏》Video : https://www.youtube.com/watch?v=g_cfok4QxdU


Program Notes

In this concert we do 60 years steps to the beginningof a rare ensemble: the clarinet trio, combining viola, piano and clarinet. Soit consists of a woodwind-, a string- and a harmonyinstrument and unit alltheir possibilities of expression.

 

Max Bruch (1838– 1920) composed 8 „pictures“ for his son, who was a wellknownclarinetist and wanted to perform a concert for the 7oth birthday of his fatherwith a work of him. Bruch composed in the conservative style of his time shortpieces. Not like the „neudeutsche Schule“ with Wagner and Liszt who wrote „Musik der Zukunft“ (musical drama andprogrammed music“), he did it in the traditional way: miniatures canatblemelodies with dramatic moments using the colours of the instruments in thedifferent ranges … without any programmatic predescrition.

 

Robert Schumann (1810 – 1856), who composed „Märchenerzählungen“ also like a lotof composers of the middle of the 19th century, was one of his idols. So it isinteresting to take a look of his style and idioms of using the possibilitiesof clarinet in the same genre of „Fantasiestücke“.  The pieces composed in a thematic cyclewithout any concret programmatic intention, which would lead the imagination ofthe audience. Sixty years before it is not so overloaded with harmonic weight,with clear melodic structures but a rhythmically interesting wovenaccompaniment.

 

And in the beginning of this genre of trio compositionwe can find WolfgangAmadeus Mozart (1756 –1791). He was the first who wrote for this combination. Together with two ofhis friends he was playing the viola part by himself at the first performance. It is amazing how he used the range of expression of„his“ viola. The Trio openswith an Andante in which the piano, initially together with the viola,announces the theme, then capped by the clarinet, which is later entrusted withthe second subject, given to the viola in its re-appearance in the recapitulation.The second movement is a Minuet, with a Trio section that puts the violathrough its paces. The final Rondeaux opens with the principal theme played bythe clarinet. The movement includes a dramatic excursion into C minor for theviola and further brief opportunities for virtuosity in music of subtlerefinement and moments of poignant beautyinmusic written at the height of Mozart's career. So it is an outstandingcomposition in form and expression and conclude the concert with a bright  smile and optimistic view towards theupcoming spring.

 

The Rechenberg-Trio will perform in their next concerts the other „Märchenerzählngen“ and „Fantasiestücke“ of this 19th century in a comparing and eachother complementing way. Dreaming together in a Spring night … looking forward … „Rechenberg Trio“.


Jochen Settili  Introduction  介绍

Jochen Settili  单簧管

Jochen Settili曾与Georg Zeretzke, SabineMeyer, Giora Feidman一起在德国柏林艺术学院学习,并在那里获得了单簧管硕士学位。他有丰富的管弦乐团演奏经历,并参加了包括《悲惨世界》、《吸血鬼之舞》在内的音乐剧演出和遍布德国的其他演出。在环游欧洲的众多演奏会中,他几乎演奏了单簧管曲目中的所有篇章。Settili的音乐职业生涯广阔,他不懈地投入到表演、指挥、博士论文写作和教学中,目前在北京的德国大使馆教授音乐和哲学。他还精通长笛、双簧管和萨克斯,这让他在古典乐和爵士乐演奏方面都游刃有余。他曾多年担任柏林Neuköllner歌剧院负责人,并在德国的青年艺术家音乐比赛以及最近的中国青少年音乐比赛中担任评委。他是正欧乐器公司的艺术家和顾问,目前作为乐器演奏家和指挥家在中国推广这些乐器。同时,他还在贵州的专业团体和沈阳的音乐学院里教授硕士课程。

Jochen Settili, clarinet

Jochen Settili studied with Georg Zeretzke, Sabine Meyer, Giora Feidman and earned his Master in clarinet at the University of the Arts Berlin, Germany. His orchestral experience includes a wide diversity including “Les miserables” or “Tanz der Vampire” also as engagements in Symphony Orchestras all over Germany. In numerous performances throughout Europe he performed the entire range of the clarinet repertoire (incl. Bass- and Eb-Clarinet). Settili’s career profile in music is broad based with ongoing commitments in performance, conducting, writing a doctoral thesis, and teaching, currently as a teacher for music and philosophy at the School of the German Embassy Beijing. Additional professional skills in flute, oboe and saxes let him feels at home in classical music as well as jazz. Many years he was an executive of “Neuköllner Oper, Berlin” and jury member of the German music competition “Jugend musiziert” and latest in “China Youth Music Competition” .He is artist and consultant of Zhengou-Instruments Company and promoting these instruments all over China as instrumentalist and conductor. Also teaching in master classes in Guizhou and Shenyang.


I-fun Wu  Introduction  介绍

I-fun Wu  中提琴

I-fun Wu出生于台北,8岁开始学习小提琴和13岁转学中提琴。1979 至 1987 年,她担任台北世纪交响乐团首席中提琴手。在此期间,她赢得台北南部区青少年中提琴比赛第一名和并在1982年获得台湾区青少年比赛冠军。 1985 年,她与台北世纪交响乐团合作到欧洲演出,并且在演出《莫扎特降E大调小提琴、中提琴与管弦乐协奏曲》,K.364时负责中提琴独奏。在欧洲,她被选为英国阿伯丁国际夏季营研讨会乐团的成员。同年,她在台北实践大厅与Yi-Ta Chen和I-Fang Wu共同举办了音乐会 。I-funWu于 1986 年加入台北交响乐团并在第二年演出和乐团演奏了CarlStamitz的《D大调中提琴协奏曲》。

1987 年 9 月,I-fun Wu到维也纳音乐与表演艺术大学学习,师从HattoBeyerle教授,并在第二年师从Wolfgan Klos教授。1991年 3 月她曾参与音乐礼堂举行的正规音乐演出会,并担任首席中提琴手。并在同年多次独奏巴赫的《B大调勃兰登堡协奏曲第六号》。她于1991年成为维也纳国际中提琴大会Lecher中提琴二重奏(Lecher Viola Duos in International Viola- congress inWien)的首席中提琴手,并于1993年获得演奏硕士学位。

I-fun在1994年9月举行的音乐会上与高雄交响乐团演奏gnaz Pleyel的 《小提琴与中提琴协奏曲》。她也曾在香港小交响乐团, 长荣交响乐团以及北京交响乐团任职。2008年至今, I-fun在北京居住。

I-fun Wu, Viola

I-fun Wu was born in Taipei and trained as a violin student since eight and as a viola student since thirteen. She served as Principal Violist of Taipei Century Symphony Orchestra between 1979 and 1987. During which time she won the first place in Taipei Southern District Adolescent Viola Competition and the championship in Taiwan District Adolescent Competition in 1982. In 1985, she performed with Taipei Century Symphony Orchestra in Europe and played viola solo in Mozart's Symphony Concertante, KV364 E-flat Major for Violin, Viola and Orchestra, and was elected as member of United Kingdom Aberdeen International Summer Camp Symposium Orchestra. In the same year, she held a recital with Yi-Ta Chen and I-Fang Wu in Shih Chien Hall in Taipei. I-fun joined Taipei Symphony Orchestra in 1986 and performed Carl Stamitz's D-Major Viola Concerto with the orchestra in the next year.

 

She was enrolled in University of Musik and Performing Arts in Vienna in September 1987 under the instruction of Prof. Hatto Beyerle in the first year and of Prof. Wolfgang Klos in the next year. She served as the first violist in regular concert held in music auditorium in March 1991 and played viola solo of J.S. Bach's Brandenburgisches Concerto No. 6 B-Major for several times in that year. In 1992, she served as the first violist playing Lecher Viola Duos in International Viola- congress in Wien. I-fun was awarded Diploma for performer and Master by the university in 1993.

 

She played viola solo of Ignaz Pleyel Violin and Viola Concerto in concert with Kaohsiung Symphony Orchestra in September 1994. She has also worked in Hong Kong Sinfoniett, Evergreen Symphony Orchestra and Beijing Symphony Orchestra. I-fun has been living in Beijing since 2008.


Narey Park   Introduction  介绍

Narey Park  

NareyPark 1982年出生于韩国,在首尔梨花女子大学学习钢琴。2005年至2008年,她在德国卡尔斯鲁危的国家音乐学院师从Saule教授学习钢琴和室内音乐。她以优异的成绩毕业并获得艺术教育学的硕士学位。2008至2012年,她在Staatlichen Hochschule für MusikTrossingen und Schloss师从Wolfgang Wagenhäuser教授学习钢琴和室内乐。2006年她获得PietroArgento国际室内乐比赛的第一名,2007年获得GaetanoZinetti国际室内乐比赛的荣誉奖。2008年,获得斯克里亚宾国际钢琴比赛第三名。她还因钢琴演奏与双簧管、巴松的出色配合,获得过许多最佳演绎奖。

她在管弦乐团中担纲钢琴独奏,作为演唱会和室内音乐的演奏家演出不断,足迹遍布德国、瑞士、澳大利亚、法国、意大利、波兰、罗马尼亚、俄罗斯、瑞典、日本、韩国和中国。近几年她在韩国和中国举办了许多音乐会。

Narey Park, piano

Pianist Narey Park was born inSouth Korea in 1982 and studied piano in Ewha Womans University in Seoul. From2005 to 2008, she studied piano and chamber music under Professor Dr. SauleTatubaeva in Staatlichen Hochschule für Musik in Karlsruhe. She graduated with a masterdegree in art education with distinguish. From 2008 to 2012, she studied pianoand chamber music from professor Wolfgang Wagenhäuser in Staatlichen Hochschule für MusikTrossingen und schloss. In 2006, she won the first prize in InternationalChamber Music Competition Pietro Argento“ in Gioia del Colle, Italien and in 2007Honorable Mention in International Chamber Music Competition Gaetano Zinetti inVerona, Italien. Also in 2008, she won the third prize in InternationalSkriabin Piano Competition in Paris, France. In addition, she won numerous bestinterpretation prices for piano with Fach Oboe, Oboe and Bassoon.

 

She played asa soloist with Orchestras and is active as a concert pianist and chamber musicpianist in Germany, Switzerland, Austria, France, Italy, Poland, Romania,Russia, Sweden, Japan, Korea and China. These years she has concert sessions inKorea and China. 


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